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Integration of Art and Drama
Day 3 Italian
Renaissance Art
Warm-up
(5 minutes)
Leonardo
DaVinci- Role Play/Verbal activity
Materials
needed:
- 9"X12"
white paper
- Small
scrap paper
- Pencils
Resources: Drawing on
the Right Side of the Brain by Betty Edwards. 1989. St. Martin's
Press, New York. Pages 52-55.
- Last
time we learned that Leonardo
DaVinci wrote backwards with his left hand. Did you know that when
criminals copy signatures to steal money with checks, that many
practice drawing the names upside down first?
- On the
scrap piece of paper, write your name as you usually do. In a minute,
you will be writing your name upside down on the upper left-hand side
of the white paper.
- Say,
"You are now going to pretend that you are a thief that is about to
commit the crime of your life. You have a blank check and are going to
forge the signature of a very rich person on the check and write it out
to you for one million dollars. You let out a very evil laugh. (pause)
You know that if you copy the signature upside down, that you can make
it look like the same signature. You now look at the signature upside
down and begin copying it on the upper left-hand side of your paper."
Activities
Leonardo
DaVinci-Role Play and movement
(30 minutes)
Materials
needed:
- 9"X12"
white paper from warm-up
- Pencils
- Drawing
boards
- Print of
Mona Lisa, 1503, by Leonardo
DaVinci. The Louvre, Paris.
- Explain
that the Mona
Lisa is probably the most famous painting in the world. No amount
of money could buy it because it is priceless. Even if you had over one
billion dollars you couldn't buy it. (Show Mona Lisa print) As you can
see, this woman is sitting with her hands folded in front of her and
smiling a very small smile. One thing everyone says about her is that
she appears to be looking at you no matter where you are in the room.
Leonardo spent three years painting Lisa di Antonio Maria Gherardini
Giocondo when she was 24 years old in 1503. The Italians simply call
the painting "La Giocondo."
- Everyone
fold your hands in front of you and smile like Mona Lisa. What do you
think Mona is thinking? Look at the background behind Mona. Have you
seen any mountains that look like this? In Italy, they don't have
mountains like this. Leonardo did it from his imagination. Remember
from last time when Leonardo said, "If the artist wants to see high
mountains from low places or low places from high mountains, all they
have to do is imagine it first in their mind, then do it with their
hands." Leonardo did this in this painting with his high mountains.
- Everyone
will now take their drawing boards, paper, and pencils and sit on the
floor on one side of the room. The teacher will hang up the picture of
Mona Lisa upside down on the wall. Remind students about what Dr.
Edwards has studied about teaching yourselves to draw by writing
backwards and drawing upside down. Tell students that they are to take
the papers with their names that they drew upside down from the warm-up
and begin drawing the picture upside down as they see it.
Leonardo
DaVinci- Improvisation
(15 minutes)
Materials
needed:
- Print of The
Last Supper, 1498, by Leonardo DaVinci. Sta. Maria delle Grazie,
Milan
- Leonardo
painted his Last Supper painting different than any artist before him.
(See a modern
interpretation by Dali) If your school district tolerates discussion about religion in
art history, explain that this painting is of a story in the Bible
where Jesus is having his last supper with his friends before he is to
be nailed to a cross. One of his friends sitting there, Judas, is later
going to turn Jesus in to the Roman police. Jesus tells the disciples
that someone there is going to turn him in. After the commotion dies
down, he says that the person who turns him in will put his hand in the
dish at the same time Jesus does. Judas and Jesus both reach for the
dish at the same time and then Jesus tells him to go and do what he
came for. Judas then runs off. Leonardo did this painting different
than any other artist. Most artists at this time painted this painting
when Jesus said, "He who dips his hand with me in the dish will betray
me." Instead, he painted it a little earlier when Jesus said, "One of
you here will betray me." The disciples then say, "Is it I? Who would
do such a thing!"
- Have 13
students sit on one side of a length of three tables. Assign each of
them one of the characters in the painting. Have them study the
picture, hang the picture behind them, and then they pose exactly how
the painting looks and freeze their positions. Help some students get
their position if they have trouble.
- Now tell
them that we are backing up before the scene in the painting. You all
are sitting there having a meal with your best friend and suddenly he
says that someone there among you will betray him and turn him into the
Roman police to be nailed to a cross. You all are then amazed and
angry. "Who would do such a thing," you think. Jesus says that the
betrayer is the same one who reached his hand in the dish with Jesus at
the same time. Jesus then tells him to go and do what he came for.
Judas runs off and all the other disciples become upset that a good
friend would do such a horrible thing. Students will then act this out
with lines while the rest of the class watches.
- Ask:
Which person is the part of the painting your eyes go to first? Did you
notice how Leonardo arranged all the disciples in groups of 3? Explain
that because Leonardo experimented with paints all the time, the paint
began to peal off this painting shortly after he finished. When
Napoleon came to town decades later, his soldiers shot at it, and
finally, monks cut a door into it. The church was bombed during World
War II and the only wall left standing was that of the painting.
Cool-down
Leonardo
DaVinci- Dramatization
(5-10 minutes)
Materials
needed:
- Tell
students that Leonardo knew Michelangelo when
he was alive. In fact, they lived in the same city together. They were
not friends, however. In fact, they were enemies. It seemed that they
were always criticizing each other all the time. Leonardo said that
Michelangelo made his sculptures look like bags of nuts and
Michelangelo made fun of the fact that Leonardo couldn't ever finish
anything he started. The best story we have of these two is when they
were both painting in the same room of the Palazzo
Vecchio. They were seeing who could paint better than the other.
Unfortunately Leonardo played with his paints again and the paint
didn't dry and began running. He finally gave up, but not before
everyone was amazed at how fantastic his painting looked. Many say it
would have been his best painting had he not experimented with paints.
- Ask for
two volunteers to play Leonardo and Michelangelo. These students are to
pretend they are competing against each other in the Palazza Vecchio.
They are to take the colored chalk and create battle scenes. Each is to
say that their picture is the better picture. Leonardo begins to get
upset when his paints begin to run and finally he storms off. Let the
two students perform while the rest of the class watches.
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