Submitted by: Don Stewart -
Visual Artist
http://www.dsart.com
UNIT: Drawing
Lesson: Visual Puns or Composite Imagery
Grade Level: Middle School through high school (Elementary
Lesson)
Bonus: Copyright/Fair Use/Trademark Lesson Idea
Composite Imagery and Visual Puns
(Substitution and Visual "Punnery")

Catfish image copyright of Don Stewart. See
bird and fish names list below
Objectives:
- See objects in a different
way - work with word play
- Express a common object with
visual symbols and images
- develop skills in using
drawing media
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Materials:
Magazine as collage materials,
Pencils, drawing paper, colored pencils, ultra fine
point markers or ball point pens.
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Resources:
Visual
Puns Links
Bird
Names and Fish Names
Day
1. Puns
Definitions:
Pun:
A play on words, usually the assignment of different meanings
to similarly sounding words or phrases, with humorous intent.
Visual
Pun: A drawing,
cartoon, photograph, etc. depicting objects arranged so that
the names of the objects or a description of their placement
suggests a play on words.
Composite drawings: Composite refers to Don's habit of
rendering a variety of highly detailed ballpoint images in
order to create a larger subject. What's more, the objects he
uses to build each picture are all related in some way to the
overall theme of the drawing, usually with humorous intent
Examples:
Hot Dog (a
dog in the sun), Fast Food, Pie in the Sky, Little Brother
Exercises:
1.
Encourage students to think of as many puns as they
can, and list these on the board.
2.
Describe a picture that would illustrate one or several
of these puns. (A dog in the sun, etc.) Draw one or more of
these examples for the class.
3.
Have each student create a line sketch of a simple pun
from the list.
Day
2. Shapes
Purpose:
To enable students to recognize common geometric shapes
in different
contexts.
Exercises:
1.
List common geometric shapes (circle, square, triangle,
rectangle), and draw each shape on the board or projector.
Discuss and list real-world objects that have these shapes.
(e.g. Circle: pizza, tire, checker, coin, etc.)
2.
Have students draw each shape at the top of a sheet of
paper, then write down as many objects as they can think of
that conform to the shape.
3.
Students should spend
the remainder of the period examining the classroom, or
looking through magazines, newspapers, etc. to find examples
of different shapes. These should be added to their shape
lists.
Day
3. Shape Drawing
Purpose:
To help students use common shapes to construct complex
objects.
Exercise:
1.
The Teacher should provide an example (photograph,
drawing, or model) of a complex object (e.g. a train,
cathedral, grandfather clock) and point out the individual
geometric shapes that make up the details of the object.
(Circles for wheels, rectangles for bricks, etc.) This example
should then be rendered as a line drawing, using only basic
shapes.
2.
Students should select a subject containing a variety
of basic shapes, and create a line drawing composed entirely
of geometric figures. Shading and texture are unimportant in
this exercise.
Day
4. Substitutional Imagery - Collage
Purpose:
An opportunity for students to practice identifying and
selecting basic
shapes in print media, and reassemble them
into a collage rendering.
1.
Using their previous Shape Drawings as a guide,
students should cut out pictures from magazines, catalogues,
etc., and, substituting for the original geometric shapes,
paste these together into an approximation of their original
subjects. (Many of these cutout pieces will not be exactly the
right size or configuration to fit the subject. No matter. The
goal here is to reinforce the process of shape recognition –
and to make students aware that the real world does not always
fit the artist’s vision.)
Bonus:
Students may attempt to limit their shape selections to items
that collectively or individually create one or more visual
puns.
Day
5 (and beyond). Composite Drawing
Purpose:
Practice drawing basic shapes such as those identified in
print media, and
assemble them into a collage-type composite
drawing.
1.
Again using the Shape Drawings and Collages as guides,
students may now draw their selected subjects as a collection
of appropriately shaped items (rather than simple line
shapes), substituting for the original geometric aspects of
their chosen subjects. Emphasis should be on shape, not
technical ability. Line representations are fine; it should be
noted, however, that the subject should at least be
recognizable – and the drawing should look more like the
chosen subject than the collage.
Students
may need several days to finish the composite drawings if
rendering in fine pen and ink, or colored pencils - or doing
value shading with pencils.
Bonus:
Students may attempt to limit their shape selections to items
that collectively or individually create one or more visual
puns.
Add
to this a lesson in Copyright/Trademark Law
Where
has all the VW® Bug® Art Gone?*

Click images to see larger
views
What
are the visual puns here? I am not permitted to give them
their correct titles as Volkswagen of America views it as a
violation of their copyright/trademark (according to a
"Cease and Desist" letter Don Stewart received - similar
to this one). Don
is no longer permitted to show these images on his site - or
sell prints - or even include them in his coffee table book.
Ask
students if they could do a visual pun showing the outline of
VW® Rabbit® filled with images of rabbit. See what they say
- then have them consider the use of the VW®
Bug® in these two composite/visual puns. (Note: my research
shows that the Rabbit design/shape is not a protected
trademark as is not listed. Further inquiry with the company
would be needed to see if they would allow an artist to make a
work of art)
Does
Don's use of the VW® design fall under Fair
Use? Does his use
represent parody?
Have your
students research cases online (Tom
Forsythe's case with
Mattel is a good one. Tom
won a substantial settlement). Assign roles for a mini
trial... Judge, lawyers, plaintiff, defendant, expert
witnesses, etc. The rest of the class can be the jury. They
will have to write about their decision as their part of the
project. Maybe have the class write
their own letter to the CEO of Volkswagen® of America
with the outcome of your class decision? Permission is granted to use the images in
your letter.
Pose
questions to students to consider and have them look at art
work that Volkswagen deems acceptable and is allowed to remain
on line. (email me for links)
If your
students are using a photograph as reference for the main
image, have them write a "permission to use letter"
and send to company or photo source (letters will go
unanswered - so use image anyways -You will be using image for
"research" and "education" - "Fair
Use" defense - This is not legal advice it is practical). Letters for
all of the smaller images for the composite are not necessary
(as that would take entirely too long).
If anyone
tries this let me know (Judy Decker - address on home page).
Give me a short write up to add to this lesson plan.
NOTE:
Don's work is now part of "Illegal
Art" exhibit in Hollywood, Florida and appears on two
underground blog spots abroad.
Resources:
Copyright
Law - See
FAQs - Fair
Use - Derivative
Works - Exclusive
Rights More
on Derivative Works
Easy
to understand Fair Use page by Cathy Newsome
The
Educator's Guide to Copyright and Fair Use a five part
series - from Education World® - Article by Linda Starr
"THE
PROGRESS OF SCIENCE AND USEFUL ARTS":
WHY COPYRIGHT TODAY THREATENS INTELLECTUAL FREEDOM
A
Preliminary Report on the Chilling Effects of Cease and
Desist Letters
WillfulInfringement
- review
of video
Enforcing
Trademark Rights See related articles
Chilling
Effects - Cease and Desist sample letter
Information
on Trademark Read
Limits of Trademark
Questions
on Parody - FAQ's from Chilling Effects. More on Chilling
Effects Clearing House
Trademark
article "Put
the brakes on trademark infringement: legal expert Joshua
Kaufman explores the ins and outs of trademark law, with the
help of colleague Marcia Auberger - advice" Art
Business News, Sept,
2002 by Joshua
Kaufman Putting
the Brakes on Harley® by Joshua Kaufman and Marcia
Auberger
Will
Fair Use Survive? Free Expression in the Age of Copyright
Control By Marjorie Heins and Tricia Beckles
"Are
Bullies After Our Culture?" review of Brand Name
Bullies ($25, 2005, John Wiley & Sons), by activist
David Bollier - Interesting: ".... the bizarre fact that
the racist stereotype of a jovial kitchen servant known as
Aunt Jemima -- the female counterpart to Uncle Tom in American
history -- now belongs to Quaker Oats, which uses the name and
concept for its line of pancake batter and syrup. When artist
Andy Warhol wanted to paint a rendition of Aunt Jemima as part
of a portfolio of American icons that he was compiling, Quaker
Oats sent him a warning letter and threatened to take legal
action if he continued." Warhol did his own
"Mammy" instead. See
excerpt from the book
the
CEASE + DESIST Art Show - Hotel refuses to remove wall art
with trademark logo
Fish
Names for Visual Puns
Siamese
Fighting fish
Paradise fish
Firemouth Cichlid
Convict Cichlid
Zebra Cichlid
Rosy Barb
Tiger Barb
Harlequin Rasbora
Dragonfish
Wolf fish
Snake pipefish
Great pipefish
Spiny Dogfish |
White
Cloud Mountain Fish
Swordtail fish
Bleeding Heart fish
Blind cave fish
Silver Dollar fish
Pencil Fish
Penguin Fish
Scissors Tail Fish
Glass Fish
Armoured Catfish
Jewel Fish
Picked dogfish
Dragonet |
Leaf
Fish
Clown Loach
Australian Rainbow Fish
Archer Fish
Beacon Fish
Egyptian Mouth-breeder Mosquito Fish
Flag fish
Black Widow fish
Pirate
Perch
Toadfish
Striped Squirrel fish |
Many
more Fish Names Common
names for fish additional resources are available at
your request - email Judy Decker (address is on home page -
put Fish Resources needed in subject line)
Watch out
for "Spiny Lump Sucker" and "Rock cock"
(you know middle schoolers' minds).
Fun idea
- Go "fishing" for a name: Cut a part and put names
in fish bowl.... Maybe fold an paper clip. Give students a
small fishing pole (dowel with string - magnet on the
end of string). Student will go "fishing" for their
fish name. An alternate to the fish bowl could be a kiddie
wading pool with the fish names spread out more. That way more
kids could fish for their names at a time.
Bird
Names for Visual Puns
Bee-eaters
Bellbirds
Birds of Paradise
Ovenbirds
Canvasback
Catbirds
Corn Crakes
Cowbirds
Elf Owl
Scrubfowl
Seabird
Secretary Bird
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Flycatchers
Frogmouths
Fork-tailed swift
Turtle Dove
Kingbirds
Kingfishers
Man of War Bird
Night Hawk
Grasshopper Sparrow
Egyptian Plover
Rock Hopper Penguin
Yellow Hammer
Umbrella Bird |
Grey
Winged Trumpeter
Fruit Dove
Elephant Bird
Dollarbird
Tiger Parrot
Sandwich Tern
Firecrest
King Penguin
Rose Headed Parakeet
Festive Parrot
Scissor -Tailed Nightjar
Spotted Antbird
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From Theresa - Getty list member:
Something
I've tried that students have had fun with in the first days
back:
After a discussion about different ways to think about art,
have students create a drawing of an imaginary bird.
Place names of different birds on the board, or write on slips
of paper that they pull out of a basket: turtledove, catbird,
cowbird, yellowhammer, fork-tailed swift, golden-crowned
sparrow, flycatcher, mud hen, secretary bird, etc. Ask
students to choose one type of bird that they haven't seen
before and draw an imaginary bird that matches the name,
showing what the bird likes to do. For instance, a secretary
bird could be holding a phone, drinking coffee, shuffling
papers at a desk. This could be done with fish or bugs
as well.
Here is a
fun idea: Put the bird names inside plastic eggs and place in
a basket (nest). Students "crack" open their name
for the pun.
From Don
Stewart - The DS Art
Studio Gallery 2805 Crescent Avenue
Homewood, AL 35209
1-800-372-7864
http://www.dsart.com
*Note:
Emails asking permission to use these images were sent to
VW® of America. Since no reply was received, I have assumed
that permission has been granted for this use. Use of words VW®
Bug® and VW® Rabbit® are
for descriptive purposes only. VW® of America has not
endorsed the lesson in anyway. Request for permission was also
sent to Volkswagen® of Germany. Several law firms are willing
to take the case if Incredible Art Department is asked to
remove the images. Another permission to use was send
1/15/2006
Assessment/Rubric:
(adapted from Marianne Galyk)
Student
Comments:
What
have you learned about copyright law?
Teacher
Comments:
National
Standards:
| 1.
Understanding and applying media, techniques, and
processes |
2.
Using knowledge of structures and functions |
3.
Choosing and evaluating a range of subject matter,
symbols, and ideas |
5.
Reflecting upon and assessing the characteristics and
merits of their work and the work of others |
6.
Making connections between visual arts and other
disciplines |
| Students
select media, techniques, and processes; analyze what
makes them effective or not effective in communicating
ideas; and reflect upon the effectiveness of their
choices |
Students
generalize about the effects of visual structures and
functions and reflect upon these effects in their own
work |
Students
integrate visual, spatial, and temporal concepts with
content to communicate intended meaning in their
artworks |
Students
compare multiple purposes for creating works of art |
|
| Students
intentionally take advantage of the qualities and
characteristics of art media, techniques, and
processes to enhance communication of their
experiences and ideas |
Students
employ organizational structures and analyze what
makes them effective or not effective in the
communication of ideas |
Students
use subjects, themes, and symbols that demonstrate
knowledge of contexts, values, and aesthetics that
communicate intended meaning in artworks |
Students
analyze contemporary and historic meanings in specific
artworks through cultural and aesthetic inquiry
(analyze work of Don
Stewart)
|
Students
describe ways in which the principles and subject
matter of other disciplines taught in the school are
interrelated with the visual arts
(copyright issues cross
all subjects)
|
| |
Students
select and use the qualities of structures and
functions of art to improve communication of their
ideas |
|
Students
describe and compare a variety of individual responses
to their own artworks and to artworks from various
eras and cultures (artists) |
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National
Visual Arts Standards Courtesy of Kennedy ArtsEdge